For this reason, multitracks typically exclude any use of compressors, delays, or reverbs so that these decisions can be left up to the mix engineer. For example, in order to get everything to sit well together in a mix, a mix engineer is going to need absolute control over each individual instrument. Multitracks are typically requested when complete flexibility is needed. Whereas the track counts in multitrack sessions range from twenty to a couple hundred, stem sessions may contain only four to twenty tracks.īoth stems and multitracks can be useful, depending on your desired outcome, but sometimes sending multitracks is overkill, and sometimes sending stems just isn’t enough. As you can see, multitrack sessions typically have far more tracks than stem sessions.
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