"No Angel " a Caroline Polachek assist comes in at a high register punctuated with breathy vocals and smootg falsetto. "Drunk in Love" is a fkn epic sequel to "Bonnie &Clyde " hyped up to raunchier heights as if it's as "Drunk "as the songs title. A torch song to her husband Jay z doesn't leave anything to the imagination. The shedding of the Madonna/Whore complex is perhaps an unintentional theme throughout the Lp brought to epic fruition on the sensual masterpiece of D'angelo proportions,"Rocket". It's a brave well executed risk that adds nuance to Beyoncé thesis oscillating from quasi-spoken word to explicit sensuality. "Haunted "is a slow burn catharsis attached to the unsettling hidden track "ghost " that comments on music,record labels and creativity. ![]() This just being the first of the karaoke ready ballads. Opening with the motivational Sia penned ballad "Pretty Hurts" filled with the staple anthemic Knowles choruses she's perfected since "B'day". Not promoted at yet still having the biggest impact in music history. Her self titled really is as personal as the name suggests:This is her. Her self titled really is as Would it be hyperbolic to say Beyoncé invented feminism? Well imma go ahead and no cap that,personally at least. ![]() ![]() Would it be hyperbolic to say Beyoncé invented feminism? Well imma go ahead and no cap that,personally at least.
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